He is certain of his talent, but infuriated by the business side of fashion, fighting the moneymen (except when they are throwing cash at him). He becomes the ringleader of what he calls “a bunch of queers and freaks and girls who haven’t grown up yet”. The performances are excellent, from Krysta Rodriguez’s charming, lovable Liza Minnelli to Rebecca Dayan’s adoring Elsa Peretti, and any TV devotees who wish to see Gilmore Girls matriarch Emily Gilmore (the fabulous Kelly Bishop) as a foul-mouthed publicist who tosses off a line like, “You’re going to come to Versailles and blow those snobby French motherfuckers off the stage” will be delighted by her shape-shifting.īut this is McGregor’s show and, as Halston, he cuts a complex figure. It is appropriate for a story set mostly amid the glitz and excess of the Studio 54 celebrity circle that it is immaculately turned out. The series starts in the late 60s, as American women turn against hats, and Halston is forced to embark on the first of a series of visionary reinventions, ultimately transforming fashion in the US. It is bursting with sex, drugs and monstrous egos, so it would be surprising if they had given it their blessing. Halston’s family have already called this series “an inaccurate, fictionalised account”, issuing a statement that they were not consulted in the making of it. But his star rose and fell, and rose and fell again, and by the time of his death, in 1990, he had lost the rights to even his own name. Halston rose to fame on a pillbox hat, which brought him instant notoriety after Jackie O wore it. This elegant Netflix miniseries is the latest to give a fashion designer the biopic treatment – and in this case, Roy Halston’s glamorous life and spectacular fall gives McGregor plenty of meat to gnaw on. Pascal participated in our Actors on Actors issue for his work in the Disney Plus TV phenomenon “The Mandalorian.” And, of course, he and McGregor - who is reprising his role as Obi-Wan Kenobi in an upcoming Disney Plus TV series - spoke about “Star Wars” too.Ewan McGregor had not heard of Halston before he agreed to play him, and he may not be alone. And there’s obviously some cute guy filming him, because he’s so flirting with the guy behind the camera. So he’s backstage, he’s got a drink in his hand, and a cigarette, but he’s really having a good time. There was a fashion museum opening in Detroit, and he presented some of his dresses to this new museum. “I found some great footage of him backstage at fashion shows where you see him in his world, and just doing little alterations on the girls before they go out,” McGregor says. To find the real Halston, McGregor dug deeper, watching documentary-style video of the designer in his element. “There’s a lot of interviews with him, but he’s always on.” “The nice thing about it is I was able to watch him, and totally fall for him,” McGregor says. He pored over old interviews, but he noticed an element of performance in some of the footage. McGregor also immersed himself in copious research from the 1960s and 1970s. “Just being happy about that, but understanding it.” “It’s interesting to do all those lines of coke and all those cigarettes and shots that Halston was doing and just being glad they weren’t real,” McGregor says. As he prepared for the biographical series, with scenes set at Studio 54, McGregor found that he could relate to Halston’s struggles with drugs and alcohol.
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